End to end video producion and motion design.
Most of what follows I shot, cut, scored, and animated myself
Podcasts
A full production team, in one person.
Podcasts are usually a team sport. A booker, a producer, a DP, an audio engineer, an editor, a motion designer, and a social manager.
At Rebolt, all of those were me.
I built the pipeline end to end, then wrote the automation that kept it running at a pace one person shouldn't be able to hold.
The flagship show became Rebolt's single biggest source of inbound leads and pushed inbound volume up 45% over two months from a single partner podcast.
Outreach & Booking / Research & Brief / Set Design & Pre-Production / Multi-Cam Production / Ingest & Transcription / Edit & Post / Motion & Brand / Clips & Repurpose / Distribution
Podcasts are usually a team sport. A booker, a producer, a DP, an audio engineer, an editor, a motion designer, and a social manager.
At Rebolt, all of those were me.
I built the pipeline end to end, then wrote the automation that kept it running at a pace one person shouldn't be able to hold.
The flagship show became Rebolt's single biggest source of inbound leads and pushed inbound volume up 45% over two months from a single partner podcast.
Outreach & Booking / Research & Brief / Set Design & Pre-Production / Multi-Cam Production / Ingest & Transcription / Edit & Post / Motion & Brand / Clips & Repurpose / Distribution
Testimonials
The only marketing people actually believe.
Real customers aren't performers. They get nervous, they ramble, they undersell the thing they genuinely love.
My job is to pull a specific, honest story out of someone who has never been on camera, then cut it so it sounds the way they wish they'd said it.
The hero cut lives on Rebolt's homepage and anchored a launch that drove three straight record months of new MRR.
Customer Sourcing / Pre-Interview / Question Design / On-Location Production / Interview Direction / Story Assembly / Edit & Color / Motion & Brand / Hero Cut & Cutdowns
Product Demos
Great demos don't just explain the product - they sell it.
Most product demos are a cursor wandering across a screen. Mine are built like ads.
I script it, capture the product, rebuild the interface in motion graphics, and score it, so the product feels premium before a salesperson ever opens their mouth.
These went out ahead of every sales call and lifted both show rates and conversion. When the data showed the motion graphics versions winning, the whole format followed.
Positioning & Messaging / Scripting / Screen & Product Capture / UI Rebuild in Motion / Sound Design & Score / Motion & Brand / Channel-Specific Cutdowns / A/B Testing & Iteration
Talking Heads
The hardest format on the internet.
No guest to carry it, no story to hide behind. Just a person, a topic, and about three seconds before someone scrolls.
I got handed the driest material a company can produce and turned it into a daily show people actually finished.
Write it in the morning, shoot it at noon, ship it the next day. Then do it again.
Topic & Research / Scripting / Set Design & Pre-Production / Studio Production / Retention Editing / Motion & Animation / Clips & Repurpose / Thumbnails / Packaging & Distribution
Social Content
Daily volume is an engineering problem.
Five channels, every day, each in its own native format. By hand that's a team - and the quality falls off by week three.
So I built the machine instead. Every longform shoot feeds a shortform engine that writes, cuts, captions, and schedules a month of posts, running on Premiere and After Effects plugins and Python pipelines I wrote myself.
Around 300 original videos in nine months - six to seven shortform and one longform a week - repurposed into 1,100+ platform-native posts across five channels. Every channel from near-zero to 414K+ impressions and 8,100+ interactions.
One person.
Channel Strategy / Shortform Scripting / Pipeline Automation / Cutdowns & Captions / Vertical Reformatting / Hooks & Thumbnails / Scheduling & Publishing / Analytics & Iteration / Community Management